Posted on March 4, 2016
“What happens if you are so afraid that you finally cannot love anybody.’’ —James Baldwin
The thing about depression you’re always losing things even when the losses mount and you feel as if there couldn’t possibly be anything else left to lose. It’s a cruel thief that pilfers through your things in the night and leaves as swiftly as it came with everything that you hold dear. This week, a friend phones me from work and I can feel her sorrow over the line when she tells me that what I’ve been writing lately disturbs her–one post in particular that I’ve since deleted as it caused her, and a good deal of other people in my life, considerable anguish. She pleads with me to return to therapy and that if I were still in New York she would come from me. And I think of her arms as duvets swaddling me, and the first thing I thought was: I’m glad I’m here. It occurred to me then perhaps I purposely moved here to unravel out of the reach of those who love me. It’s a dark thought, but one that haunts me. I feel grateful for the unbelievable support my friends have given me in the past few weeks through calls, texts, emails and loans for therapy that I’m not able to afford on my own. This year has been a harrowing one, to say the least, but it’s taught me a great deal about friendship, kindness, patience and empathy. I haven’t been my best self and now I deeply understand what it feels like to lose your way but want so desperately to climb back. So I’m excited for the comeback tour and even if the road back will prove to be a difficult one.
Books have always been a comfort, a salve for anything that ailed me. When I was small, I read on my fire escape, imagining myself sprawled across the pages I was reading. For a time my surroundings gave way to the scenes and stories playing on in the stack of books I was making my way through and this kind of wandering, this loss, was a welcome one. Lately, reading has posed a challenge. I’ve started half a dozen books to only discard them. I tried to finish A Little Life and fell asleep–not any fault on the author, but rather my ability to shed my existing surroundings for a new one. Instead, I read articles–dozens of them, ever day–in fear of atrophying. Even though I am where I am now, I still want to learn. I continue to be a student.
Last week I came across a fascinating article about Pamela Moore, a writer I’d never heard of, but the tragedy of her and the power of her work has likened her to Sylvia Plath. Moore took her own life at the age of 26 but enjoyed a successful, albeit brief, career when her debut novel, written at 18, caused a sensation. Chocolates for Breakfast reminds me of The Bell Jar, but better. It’s a story of a privileged teenager’s sexual awakening–a precursor to Gossip Girl with the wealth and private parties and oceans of booze. Reading the story doesn’t feel dated even if it was written in the 50s because the rules of wealth, privilege, abandonment and being a teenager rarely change. It’s the first book I’ve been able to read in a long time–one that has managed to sustain my interest, and I’m grateful for these minor victories. Especially on days when I feel like I’m constantly failing.
What’s also made me smile is Heather Havrilesky, Ask Polly columnist, who is acerbic, funny, and unafraid to say fuck one too many times. I recently discovered her via Austin Kleon’s email list and streamed her recent Long Form Podcast interview while reading her hilarious essay on writing rituals and routines.
On a more sobering note, these two essays hit close to home. One ponders whether a girlfriend who encouraged her boyfriend’s suicide should be considered his murderer, and a brave series penned by a woman who was formerly homeless and still penalized even though she’s doing everything to get her life back on track. And finally, an astute read on poverty and privilege amidst the smart set–an apt response to Claire Vaye Watkin’s excellent “On Pandering”.
I’ve been thinking a lot about privilege and class assumptions. Over the past few months, many people have said the words, “You would never be homeless. It’s just not possible.” Part of me wonders if it’s because I have the privilege of having a few friends who would take me in, lend me their homes, or is it because the assumption that a well-educated, moderately successful white woman (by all appearances, I’m white but I’m part African, Italian, Greek and Finish) couldn’t face peril. I read statistics that tell us the economy is doing better! Unemployment is at an all-time low. But then why am I reading hundreds of status updates and posts about people across race and class who are really struggling. People who made the same money now as when they graduated college, 20-30 years ago. Even my therapist asked about my project lull. I’d been consistently busy for nearly three years but I haven’t worked on a big project since October.
To which I respond, I have no idea.
Posted on November 22, 2015
Leave me alone. Let me have my wine and my poison and let me be done with it. You tantrum your way through a screen to let me know you can see the stains on my mouth, the amber liquid in my glass — reminding me of what I can and cannot have. I am on a spit, roasting, turning and turning from your admonishments. Let the darkness that surrounds me rise up, and watch me fall out of windows and claw under doors. Can you see my desperate fingers stained black from your reprisals? You once worked your way through my hair while I apologized. I’m sorry everything with me takes so long. You send me papers that instruct me to Get Well Soon and I think: and then what? What happens in the space between wellness and not wellness? Do we mime our despair? Perhaps winter will breathe out my sadness, diminish it. Do we stand under deciduous trees with mouths gaped wide? Do we harvest what’s in the earth in hopes that we can pry the cobwebs out of their sleeping mouths so they can tell us what they’ve learned? We plunge those desperate fingers inside to only feel the rough edges of cold coins. Notice where your fingers go when you say your mother’s name, a doctor tells me. I want you to know that I tried to play happiness, but the graft didn’t take, and the fingers become hands that lock doors, and open faucets and bottle caps and sharpen razors and then finally, I feel the embrace of the clean and cool quiet. I will purple. I will sleep with hands in tight fists. My subtractions will multiply multitudes. The glass of still water on my desk warms while I cool. There are no temperatures here. There is a yard of me and I feel hideous and weeded.
Where is the rain when I’m feeling this brave and reckless?
Can you give me permission to go? No, I will not. You have traveled screens and now you orbit a room that resembles a womb, only it’s white and there are bars on the windows. You tell me I was once happy, coaxing what you need from my dry mouth. Yes, I was happy but I was mostly unhappy and what would be the point of living for a number of smiles I can count on one hand when I’m drowning in oceans that are my tears and the sorrow of others who’ve had to bear the burden of my grief. I look outside. The day pulls taut and sours. While the nurses take my temperature, I tell you that I’m tired of being necrotic. I was momentarily purple, but you discovered my cooling body and now I’m back to fucking black. Look at my fucking face, all covered in ruin — everyone’s minor injury. Speak your white noise and leave. Please? You say: did you know you took enough pills to spell out the words I tried so hard to be happy. You say did you know this? And then the razor, the fucking razor I sigh. Of course, I did. I made the words. I’m not one of those cry-for-help types.
The doctor swans in and announces that visiting hours are over. He administers the drugs and you fall out of focus. The days don’t make demands of me so why do you? Why do you insist I go on, I can’t go on?
Doctors scan my skeleton and I ask them what my bones say. Are they trying to hold on to my entropy? Watch for the edges, they’re perforated. Big shock, my appendages are sad.
Make me understand, you say. I shrug. It’s simple, really. I am sad because I’ve never become acquainted with happy. I drink because I am sonnets — my body is too small to house all of this pain so I fill bottles. I’ve been flickering off and on, on and off, what else is there to know? Why do you want what I can’t give you? Trust me, my body is a province and it’s in revolt. If I walked in the world I would crack. Now do you see? Next time can you bring me a carton of eggs? Why? I want to count the children.
One day you come and tell me stories. You stole someone’s laundry. There was a shirt you wanted to buy a few years ago and by the time you had the money it was too late, and wouldn’t you know there it goes like a Ferris Wheel in the dryer in your building, and the shirt was the only thing you took and you’re wearing it now and I say that it suits you. You ask me why I’m smiling; it’s been ages since you’ve seen that shape on my face. It never occurred to me that you would be capable of taking. You have been here for a month and all you do is eat tacos, browse surplus stores, and fit your feet over the cemented footprints of stars. Go home, I say. My father will take the night shift. You ask me if this — the bed, the doctors, and the drugs — was about my mother, about not having time.
It’s simple but not that simple. Don’t reduce this to the sum of someone else’s parts. Does the crack of ice in a glass resemble the crunch of bones underfoot? I don’t say this out loud because I need to leave this place so I can go home and do what I need to do. I need to complete. The woman across the hall practices her primal screams. The color of her pills is different from mine — this much I know.
My father tells me that he has no idea what I’m thinking. My father’s favorite word is coffee. Coffee was a demand, a question, and an answer. Coffee opened and closed are conversations and was the blanket we were tethered to. What are you thinking? What were you thinking? There are tears in his eyes. There is a photograph of him on a horse and he is shimmering and young and I cry independent sad movie tears when I say, coffee.
There’s no going home to the home we think we know. No, no, no home for me. I hold a blank book in my hand and it is filled with your memories. Do you remember the photographs of us — few exist — and we are ghost white and smiling? Knowing that one would soon follow the other to our natural conclusions?
My father doesn’t understand. I was so solid. Things were going well. (All those Get Well Soon cards and well wishes!) I shake my head because I am not a canister. I am the lid of a coffin opening and closing to the hum of the telluric dark. He doesn’t take the joke well. I am a wound where no flesh comes with its warm coverlet. My father tells me he needs me to get better. I nod because I’ve taken inventory of everyone’s needs.
We need you to get better soon. We need you to not open bottles and drink them. We need you to not open pill bottles and swallow the contents. We need you to ignore certain “contents”. We need you to steer clear of sharp objects. We need you to tattoo the shape of a smile on your face. We need you to kick this, snap out of this, forget this, move on from this, and be better than this.
I’m aware of what you do and do not need.
My friend flies home because she’s run out of money and I send her a credit card check for my limit. My father reasons that I’ll be fine with fresh air and walks on the water. Months have passed and I am tired now. I approach a mailbox and it’s hard to see and walk straight and I mail him the Polaroid’s of my slow wave goodbye and there is the water behind me and I write coffee over and over in black ink. You are right. I’ll be fine by the water and under the air. They will carry me coffee, home, coffee.
Author Note: Going forward, I’ll be publishing short pieces of fiction from my new short story collection, multimedia thing, here instead of Medium. If you like what you’ve read, let me know! 🙂